Interviews
Technopolis (TV), Adolfo
Plaisencia, Valencia, Spain, 2006. Video now available –
click.
Evelyn Schlusselberg: Harvard University, 1994.
El Mundo: From Concentration to Manipulation, 1994.
Tony Kahn: Public
Radio International , 1997. No longer available from PRI.
Lectures
Clocking Imagination, Reason, and Memory
Recent Papers
Cumulative
Complexity: Understanding the Scope of Digital Liquidity, Continuity, and
Viability. (pdf). Journal of Digital Asset Management, Vol 1, 1, Henry
Stewart Publications, London, 2005.
A Different Planet, Neuromedia
Asset Management. (pdf) Journal of Digital Asset Management, Vol 1, 2,
Henry Stewart Publications, London, 2005.
Workshop on Multimedia Contents
in Digital Libraries Chania, Crete, Greece, June 2 and 3, 2003. Sponsored by
DELOS and NSF. Neuro-Media and
the Preservation of Cultural Heritage.
Books
Computer Graphics and
Multimedia: Applications, Problems, and Solutions, John DiMarco, Editor, Idea
Group, Inc, 2003, Chapter 10: Everything That Can
Communicate Will: Aspects of Digital Asset Alignment and Management. (PDF also available).
When Everything Learns, Ben H.
Davis and Craig Kanarick, editors, Razorfish, 2001.
What are the long-term
implications if we rely on current digital technology to preserve our cultural
memory? Ben Howell Davis, Introduction
to Time and Bits: Managing Digital Continuity.
Full text of Time
and Bits: Managing Digital Continuity.
Time and Bits
Website at the Long Now Foundation.
Creator of the Introduction to
...Series: Managing Digital Assets, Achival
Description, Digital Imaging, Metadata, Vocabularies,
Object
ID., Art,
Image, Access, Getty Trust Publications.
Designer and production, on line
version of Introduction to Imaging: Issues
in Constructing an Image Database.
BEO, Senoj, Ben H. Davis, George Hemphill, Sarah
Schroth, Nexus Press, 1977.
Producer, Millennium Lectures,
Getty Center, 1998-99.
Crossing the Millennial
Divide, Hillel Schwartz.
Being Global,
Nicholas Negroponte.
A Sixth Memo for the Next
Millennium: Vulnerability, Ruth Behar.
Lecture Notes
From Commentary to
Contemplation, Nova Scotia College of Art and Design, November, 2003.
Information? University of California Santa Barbara, April, 2002.
Photography and the Internet
Tisch School of the Arts, New York University,
1999.
Articles
All in Good Timing, Razorfish Reports, October,
2000.
Tom's Rules of Thumbing, Razorfish Reports, August,
2000.
Digital Storytelling, Razorfish Reports, May, 2000.
Transcript of Digital Film Forum, UCLA, May, 2000.
What will become of New Media?, Spectra, Publication of the
Museum Computer Network, 2000.
Our Good Earth: The Landscape at
the End of the Century, Hemphill Fine Arts, 1999.
Art and Environment, 1999.
Cultural Memory, Virtual
Worlds and Simulations Conference, San Francisco, January 17-20, 1999.
Digital Reference: Building and Rebuilding, Visual Resource Association
Conference Los Angeles, CA, February, 1999.
Making Aesthetic Judgments in
the Information Age, 1998.
Introduction to Time and Bits: Managing Digital
Continuity, Getty Center,
1998.
Book Publishing: The Web,
CD-ROM and other Digital Dreams, 1997.
Digital Technology: Where Are
We?, 1997.
The Future of the Past, (click
here for full text at the Virtual Heritage Website), Scientific American, August,
1997.
The Culture Machine: Science and
Art on the Web, Scientific
American, August, 1996.
The Gallery in the Machine,
Scientific American, May 1, 1995.
The Human Interface to Large
Multimedia Databases, 1994.
Arts/Humanities on Infobahn,
1994.
Looking and Learning Through
Computers, 1993.
Environmental Multimedia
Networks, 1991.
Ben Davis, Georgia State
University Art Gallery, 1985.
Sky Disc - Implications, 1984.